Home  ›  You Are Reviewing Dr Caseys Instructions and See the Abbreviation D/c What Does D/c Mean?

You Are Reviewing Dr Caseys Instructions and See the Abbreviation D/c What Does D/c Mean?

Written By Tuesday, April 19, 2022 Add Comment Edit

2002 film by Steven Spielberg

Minority Report
A man wearing a leather jacket stands in a running pose. A flag with the PreCrime insignia stands in the background. The image has a blue tint. Tom Cruise's name stands atop the poster, and the title, credits, and tagline "Everybody Runs June 21" are on the bottom.

Theatrical release poster
Directed by Steven Spielberg
Screenplay by
  • Scott Frank
  • Jon Cohen
Based on "The Minority Report"
by Philip Yard. Dick
Produced past
  • Gerald R. Molen
  • Bonnie Curtis
  • Walter F. Parkes
  • January de Bont
Starring
  • Tom Cruise
  • Colin Farrell
  • Samantha Morton
  • Max von Sydow
Cinematography Janusz Kamiński
Edited past Michael Kahn
Music by John Williams

Production
companies
  • 20th Century Fox[one] [2]
  • DreamWorks Pictures[one] [2]
  • Amblin Entertainment[2]
  • Blue Tulip Productions[2]
Distributed past
  • 20th Century Fob[ane]
  • DreamWorks Pictures[1]

Release dates
  • June 19, 2002 (2002-06-19) (Ziegfeld Theatre)
  • June 21, 2002 (2002-06-21) (United States)

Running time

 145 minutes[3]
Country The states
Language English language
Budget $102 million[four]
Box part $358.4 million[four]

Minority Report is a 2002 American science fiction film[5] directed by Steven Spielberg, loosely based on the 1956 brusk story "The Minority Written report" by Philip One thousand. Dick. The film is set in Washington, D.C. and Northern Virginia in the year 2054, where Precrime, a specialized police section, apprehends criminals based on foreknowledge provided past three psychics chosen "precogs". The cast stars Tom Cruise every bit Precrime Master John Anderton, Colin Farrell as Section of Justice agent Danny Witwer, Samantha Morton as precog Agatha Lively, and Max von Sydow as Precrime director Lamar Burgess.

The film combines elements of tech noir, whodunit, thriller and scientific discipline fiction genres, besides as a traditional hunt motion picture, as the primary protagonist is accused of a crime he has not committed and becomes a fugitive.[6] Spielberg has characterized the story every bit "fifty per centum character and l percent very complicated storytelling with layers and layers of murder mystery and plot".[seven] The film's central theme is the question of complimentary volition versus determinism. It examines whether free will can exist if the futurity is gear up and known in advance. Other themes include the part of preventive government in protecting its denizens, the role of media in a future state where technological advancements make its presence virtually boundless, the potential legality of an infallible prosecutor, and Spielberg's perennial theme of broken families.

The film was kickoff optioned in 1992, equally a sequel to another Dick accommodation, Total Recollect, and started its development in 1997, later on a script by Jon Cohen reached Spielberg and Cruise. Production suffered many delays due to Cruise's Mission: Incommunicable 2 and Spielberg'southward A.I. running over schedule, eventually starting in March 2001. During pre-production, Spielberg consulted numerous scientists in an attempt to present a more than plausible time to come earth than that seen in other scientific discipline fiction films, and some of the technology designs in the film have proven prescient.

Minority Report was one of the all-time-reviewed films of 2002 and was nominated for several awards. It received an Academy Honor nomination for All-time Sound Editing, and eleven Saturn Laurels nominations, including Best Actor, Best Supporting Actor, and Saturn Award for All-time Music, winning Best Science Fiction Film, Best Direction, Best Writing, and All-time Supporting Actress. The pic earned over $358 million worldwide against an overall budget of $142 1000000. Over four 1000000 DVDs were sold in its start few months of home release.

Plot [edit]

In April 2054, the federal government is planning to nationally implement Washington, D.C.'due south image "Precrime" police plan. As three clear-sighted humans ("Precogs") visualize an impending homicide, officers analyze the information to determine the crime'south location and auscultate the perpetrator before the crime occurs. The Precogs lie in a shallow pool, under sleep-inducing drugs that deprive them of external stimulus. Their thoughts are projected onscreen and stored in a database. Would-be killers are imprisoned in a benevolent virtual reality state. Although Precrime has eliminated nearly all premeditated murders during its six-year existence, spontaneous "crimes of passion" remain problematic, leaving police limited time to intercept the killer.

While United States Section of Justice agent Danny Witwer audits the Precrime operation, the Precogs predict that in 36 hours, the program's commanding officer, John Anderton, volition kill Leo Crow, a man Anderton has never met. Anderton joined the Precrime plan six years earlier after his young son, Sean, was kidnapped and never plant. He is depressed, withdrawn, and addicted to neuroin, a fictional difficult drug. His wife, Lara, has since left him. Anderton flees the facility, prompting a manhunt led by Witwer. Anderton tracks down Precrime founder, Dr. Iris Hineman, at her country home and learns that ane Precog occasionally sees a different hereafter vision from the other two, a "minority report" of a possible alternate timeline. These discrepancies are reviewed and purged from the official record as group precognition agreement is the foundation of the Precrime bylaws. All the same, a backup re-create is retained within the listen of the Precog who generated it. Anderton also discovers that early neuroin adopters and addicts were predisposed to having mentally disabled children, many of which had precognitive abilities. In the testing of the precognitive children, almost had passed away except for iii who were turned over to Precrime. Anderton returns to Precrime and kidnaps Agatha, described by Hineman as the most clear-sighted Precog, shutting down the group-mind on which Precrime depends. Anderton and Agatha track Crow to a hotel room and observe numerous photos of children, including Sean; Anderton accuses Crow of killing Sean, simply Crow claims he was hired to found the photos. He wants Anderton to kill him so that his family volition be paid a large sum later on his death. When Anderton refuses, Crow kills himself in a similar manner to the Precog file.

Anderton fails to find a minority report within Agatha's mind, but discovers a vision of a past murder from five years earlier; the victim was Agatha'south mother, Anne Lively, who sold her daughter to Precrime while addicted to neuroin. After breaking her addiction, she tried to reclaim the child, merely was drowned by a hooded figure. While investigating Crow'southward death, Witwer learns that two attempts were fabricated on Lively'due south life; the outset was thwarted past Precrime, but the 2nd ane succeeded a few minutes later. Witwer reports his findings to Precrime Director Lamar Burgess, who kills him without existence detected since the Precog system is offline.

Anderton is eventually captured and imprisoned for murdering Crow and Witwer, and Agatha is reconnected to the system. Burgess inadvertently reveals himself equally Lively's killer while talking with Lara, who uses the information to force Anderton's release from prison. Anderton plays footage of Lively'southward death at a banquet in Burgess' accolade. Knowing that Precrime is unable to role without Agatha, Burgess killed Lively himself in the same manner as the failed endeavour on her life, and the technicians regarded the actual murder every bit an "echo" and purged it like other repeat premonitions.

After Agatha is returned to the system, a new Precrime report is generated, showing that Burgess will kill Anderton. Burgess tells Anderton he was ready up because he was shut to discovering Anne Lively'southward murder. Anderton points out the dilemma Burgess at present faces: kill him and validate Precrime at the toll of his own freedom, or spare him and see the programme exist discredited and shut downwards. Anderton points out that Burgess can change his own future since he now knows it. Burgess shoots himself, and asks Anderton for forgiveness.

Precrime is abased and all prisoners are pardoned and released, though many remain nether close constabulary surveillance, while the Precogs are moved to an 'undisclosed location' to live in peace. Anderton and Lara reconcile, with Lara becoming significant with another child.

Cast [edit]

Members of the cast of Minority Report. Clockwise from top left; Stormare, McDonough, Farrell, Cruise, Morton, and Von Sydow

  • Tom Prowl every bit Chief John Anderton, Precrime program commanding officeholder.
  • Max von Sydow as Lamar Burgess, Manager of Precrime.
  • Colin Farrell as Danny Witwer, agent from Department of Justice.
  • Samantha Morton as Agatha Lively, described as the nigh "talented" of the three precogs.
  • Michael and Matthew Dickman every bit Arthur and Dashiell "Dash" Arkadin, the precog twins.
  • Lois Smith every bit Dr. Iris Hineman, creator of precrime.
  • Kathryn Morris equally Lara Anderton, estranged wife of Anderton.
  • Tyler Patrick Jones every bit Sean Anderton, John and Lara's son supposedly murdered by Crow.
  • Mike Binder as Leo Crow, the precrime victim who is supposed to be killed by Anderton.
  • Steve Harris every bit Jad Watson, agent who assists Anderton in temple.
  • Jessica Harper as Anne Lively, Agatha's mother.
  • Tim Blake Nelson as Gideon, a guard of the Precrime prison.
  • Daniel London as Norbert "Wally" Wallace, the flagman of the Precogs.
  • Peter Stormare as Dr. Solomon P. Eddie, an underground surgeon who replaces Anderton's eyes.

The cast also features Neal McDonough as Gordon "Fletch" Fletcher and Patrick Kilpatrick as Geoffrey Knott, Precrime officers; Jessica Capshaw as Evanna, Precrime's transport airplane pilot; Jason Antoon as Rufus T. Riley, cyber parlor proprietor; Nancy Linehan Charles equally Celeste Burgess, Lamar'south wife; Victor Raider-Wexler every bit Attorney Full general Arthur Nash, Arye Gross every bit Howard Marks, Ashley Crow every bit Sarah Marks, David Stifel as Lycon, Anna Maria Horsford every bit Casey, Joel Gretsch as Donald Dubin, Tom Choi equally Nick Paymen, Caroline Lagerfelt as Greta van Eyck, and William Mapother (Tom Cruise's cousin) as a Hotel Clerk. Jamie Foxx equally Edward "Buttons".

Cameron Diaz, Cameron Crowe, and Paul Thomas Anderson make uncredited cameo appearances as subway passengers.

Production [edit]

Development [edit]

Dick's story was first optioned by producer and writer Gary Goldman in 1992.[8] He created the initial script for the motion picture with Ron Shusett and Robert Goethals (uncredited).[ix] It was supposed to be a sequel to the 1990 Dick adaptation Total Think, which starred Arnold Schwarzenegger.[10] Novelist Jon Cohen was hired in 1997 to accommodate the story for a potential film version that would have been directed by Dutch filmmaker Jan de Bont.[eleven] [12] Meanwhile, Cruise and Spielberg, who met and became friends on the gear up of Cruise'southward pic Risky Business in 1983,[thirteen] had been looking to collaborate for ten years.[14] [xv] Spielberg was set to direct Cruise in Rain Man, but left to brand Indiana Jones and the Last Crusade.[thirteen] Prowl read Cohen'southward script, and passed it onto Spielberg, who felt it needed some work. Spielberg was non directly involved in the writing of the script, though he was allowed to decide whether the picture's screenplay was gear up to be filmed. When Cohen submitted an adequate revision, he chosen Prowl and said, "Yeah, I'll exercise this version of the script."[12] [16] In that version, Witwer creates a faux disk which shows Anderton killing him. When Anderton sees the prune, his belief in the infallibility of the precogs' visions convinces him information technology is true, therefore the precogs have a vision of him killing Witwer. At the end, Anderton shoots Witwer and one of the brother precogs finishes him off, because Witwer had slain his twin.[17] Spielberg was attracted to the story because as both a mystery and a motion picture set 50 years in the future, information technology allowed him to do "a blending of genres" which intrigued him.[18]

In 1998, the pair joined Minority Study and announced the production as a joint venture of Spielberg's DreamWorks and Amblin Amusement, 20th Century Fox, Prowl's Cruise/Wagner Productions, and De Bont's production visitor, Blue Tulip.[two] Spielberg however stated that despite being credited, De Bont never became involved with the moving picture.[nineteen] Prowl and Spielberg, at the latter's insistence,[xx] reportedly agreed to each take fifteen% of the gross instead of any coin up front to endeavor to keep the film's budget under $100 1000000.[21] Spielberg said he had done the same with name actors in the past to cracking success: "Tom Hanks took no cash for Saving Private Ryan but he made a lot of money on his turn a profit participation."[twenty] He made this agreement a prerequisite:[twenty]

I oasis't worked with many film stars—fourscore per cent of my films don't have movie stars—and I've told them if they want to work with me I desire them to hazard forth with me. I oasis't taken a bacon in 18 years for a picture, so if my moving-picture show makes no money I get no money. They should be prepared to do the aforementioned.

Production was delayed for several years. The original programme was to begin filming subsequently Cruise's Mission: Impossible 2 was finished, merely that film ran over schedule, which also allowed Spielberg time to bring in screenwriter Scott Frank to rework Cohen'southward screenplay.[two] [11] [22] John August did an uncredited draft to smoothen the script,[23] and Frank Darabont was also invited to rewrite, merely was by then busy with The Regal.[24] The picture show closely follows Scott Frank's concluding script (completed May 16, 2001), and contains much of Cohen'due south third draft (May 24, 1997).[12] Frank removed the grapheme of Senator Malcolm from Cohen's screenplay, and inserted Burgess, who became the "bad guy". He too rewrote Witwer from a villain to a "good guy", as he was in the short story.[17] In contrast to Spielberg's next scientific discipline fiction picture, War of the Worlds, which he called "100 percent character" driven, Spielberg said the story for Minority Study became "50 percent grapheme and 50 percent very complicated storytelling with layers and layers of murder mystery and plot."[7] According to film scholar Warren Buckland, Cohen and Frank patently did not encounter the Goldman and Schusett screenplay, but instead worked on their own adaptation.[ten] Goldman and Schusett, however, claimed the pair used a lot of material from their script, so the outcome went through the Author'due south Lodge mediation process. They won a fractional victory; they were non given writing credits, but were listed as executive producers.[ten] The motion picture was delayed again then Spielberg could finish A.I. later on the decease of his friend Stanley Kubrick.[25] When Spielberg originally signed on to direct, he planned to accept an entirely different supporting bandage. He offered the part of Witwer to Matt Damon, Iris Hineman to Meryl Streep, Burgess to Ian McKellen, Agatha to Cate Blanchett, and Lara to Jenna Elfman.[26] Streep declined the role,[26] Damon opted out,[26] and the other roles were recast due to the delays. Spielberg as well offered the role of Witwer to Javier Bardem, who turned it down.[27]

Technology [edit]

After E.T., Spielberg started to consult experts, and put more than scientific enquiry into his science fiction films.[28] In 1999, he invited 15 experts convened by Peter Schwartz and Stewart Brand to a hotel in Santa Monica for a three-day "think tank". He wanted to consult with the group to create a plausible "hereafter reality" for the year 2054 every bit opposed to a more traditional "science fiction" setting.[29] Dubbed the "think tank height",[30] the experts included builder Peter Calthorpe, author Douglas Coupland, urbanist and journalist Joel Garreau, estimator scientist Neil Gershenfeld, biomedical researcher Shaun Jones, estimator scientist Jaron Lanier, and former Massachusetts Found of Technology (MIT) architecture dean William J. Mitchell.[29] [31] Production designer Alex McDowell kept what was nicknamed the "2054 bible", an 80-page guide created in preproduction which listed all the aspects of the future world: architectural, socio-economical, political, and technological.[30] While the discussions did not alter key elements in the film, they were influential in the creation of some of the more than utopian aspects, though John Underkoffler, the scientific discipline and technology counselor for the film, described it as "much grayer and more than ambiguous" than what was envisioned in 1999.[32] Underkoffler, who designed near of Anderton's interface after Spielberg told him to make it "like conducting an orchestra", said "information technology would be hard to identify anything [in the flick] that had no grounding in reality."[30] McDowell teamed upward with architect Greg Lynn to work on some of the technical aspects of the production design. Lynn praised his work, maxim that a "lot of those things Alex cooked up for Minority Report, like the iii-D screens, accept become real."[33]

Spielberg described his ideas for the film's technology to Roger Ebert before its release:

I wanted all the toys to come up true someday. I want there to be a transportation system that doesn't emit toxins into the atmosphere. And the paper that updates itself ... The Internet is watching us now. If they desire to. They can see what sites y'all visit. In the future, television receiver will be watching us, and customizing itself to what it knows nearly us. The thrilling thing is, that will make us feel we're part of the medium. The scary thing is, we'll lose our correct to privacy. An ad will announced in the air around the states, talking directly to us.[14]

Filming [edit]

Minority Report was the first flick to have an entirely digital production blueprint.[33] Termed "previz", as an abridgement of previsualization (a term borrowed from the film's narrative), production designer Alex McDowell said the arrangement allowed them to utilise Photoshop in place of painters, and employ 3D blitheness programs (Maya and XSI) to create a simulated prepare, which could be filled with digital actors then used to block out shots in advance. The engineering science too allowed the tie-in video game and special effects companies to choose data from the previous system before the film was finished, which they used to establish parameters for their visuals. When Spielberg quickly became a fan, McDowell said "Information technology became pretty clear that [he] wouldn't read an analogy as a finished piece, just if y'all did information technology in Photoshop and created a photorealistic surround he focused differently on it."[33] Filming took identify from March 22 to July 18, 2001,[26] in Washington, D.C., Virginia, and Los Angeles.[35] Film locations included the Ronald Reagan Building (equally PreCrime headquarters) and Georgetown.[35] The skyline of Rosslyn, Virginia is visible when Anderton flies across the Potomac River. A quick shot of Indian Field Creek, which crosses the Colonial Parkway in Yorktown, Virginia, is seen as John takes Agatha to his wife's house.[36] [37] During production, Spielberg made regular appearances on a video-but webcam based in the craft services truck, both alone[38] and with Tom Prowl; together they conferred publicly with Ron Howard and Russell Crowe via a like webcam on the gear up of "A Beautiful Mind" in New York.[39]

The location of the small, uncharted island in the terminal shot of the pic is Butter Island off N Oasis, Maine in the Penobscot Bay.[40]

Although it takes place in an imagined future world of advanced technology, Minority Report attempts to embody a more "realistic" delineation of the future.[41] Spielberg decided that to be more credible, the setting had to keep both elements of the present and ones which specialists expected would be forthcoming. Thus Washington, D.C. as depicted in the movie keeps well-known buildings such as the Capitol and the Washington Monument, too as a section of modern buildings on the other side of the Potomac River. Product designer Alex McDowell was hired based on his work in Fight Order and his storyboards for a motion picture version of Fahrenheit 451 which would accept starred Mel Gibson. McDowell studied modern architecture, and his sets contain many curves, round shapes, and cogitating materials. Costume designer Deborah L. Scott decided to make the apparel worn by the characters as simple every bit possible, so as not to make the depiction of the future seem dated.[42]

The stunt crew was the same one used in Cruise's Mission: Impossible 2, and was responsible for complex activeness scenes. These included the auto factory chase scene, filmed in a real facility using props such equally a welding robot, and the fight between Anderton and the jetpack-clad officers, filmed in an alley prepare built on the Warner Bros. studio lot.[43] Industrial Light & Magic did near of the special effects, while PDI/DreamWorks was responsible for the Spyder robots.[44] The visitor Pixel Liberation Front end did previsualization animatics. The holographic projections and the prison house facility were filmed by several roving cameras which surrounded the actors, and the scene where Anderton gets off his car and runs along the Maglev vehicles was filmed on stationary props, which were later replaced by computer-generated vehicles.[45]

Storyline differences [edit]

The Philip Grand. Dick story but gives yous a springboard that actually doesn't have a second or third deed. Most of the movie is not in the Philip K. Dick story – to the chagrin of the Philip K. Dick fans, I'm sure.

—Steven Spielberg, June 2002[8]

Similar virtually film adaptations of Dick'southward works,[8] many aspects of his story were inverse in their transition to film, such as the addition of Lamar Burgess and the modify in setting from New York City to Washington, D.C., Baltimore, and Northern Virginia. The character of John Anderton was inverse from a balding and out-of-shape old homo to an athletic officer in his 40s to fit its portrayer and the picture's activity scenes.[46] The film adds two stories of tragic families; Anderton'southward, and that of the 3 pre-cogs.[47] In the curt story, Anderton is married with no children, while in the film, he is the divorced begetter of a kidnapped son, who is most likely deceased.[48] Although it is implied, but unclear in the pic whether Agatha is related to the twin pre-cogs, her family was shattered when Burgess murdered her mother, Anne Lively.[49] The precogs were intellectually disabled and deformed individuals in the story, merely in the film, they are the genetically mutated offspring of drug addicts.[50] [51] Anderton'south future murder and the reasons for the conspiracy were changed from a general who wants to discredit PreCrime to regain some military funding, to a man who murdered a precog's mother to preserve PreCrime. The subsequent murders and plot developed from this change. The pic's ending also differs from the brusque story's. In Dick's story, Anderton prevents the closure of the PreCrime segmentation, however, in the pic Anderton successfully brings almost the end of the organization.[52] Other aspects were updated to include current technology. For instance in the story, Anderton uses a punch bill of fare automobile to translate the precogs' visions; in the motion picture, he uses a virtual reality interface.[53]

Themes [edit]

The main theme of Minority Study is the classic philosophical argue of gratis will versus determinism.[54] [55] Other themes explored by the film include involuntary commitment, the nature of political and legal systems in a high technology-advanced club,[56] the rights of privacy in a media-dominated world,[30] and the nature of self-perception.[57] The film also continues to follow Spielberg'south tradition of depicting broken families,[58] [59] which he has said is motivated by his parents' divorce when he was a kid.[xx]

Music [edit]

Minority Report: Original Motion Motion-picture show Score
Motion picture score by

John Williams
Released June eighteen, 2002
Genre Soundtrack
Label DreamWorks
John Williams chronology
Star Wars Episode II: Attack of the Clones
(2002) 		Minority Report: Original Movement Picture Score
(2002) 		Harry Potter and the Chamber of Secrets
(2002)
Professional ratings
Review scores
Source Rating
AllMusic
Empire
Filmtracks
Motion picture Wave
SoundtrackNet
Tracksounds

The score was equanimous and conducted by John Williams and orchestrated by John Neufeld, with vocals by Deborah Dietrich. Williams unremarkably enters Spielberg productions at an early on phase, well before the flick starts shooting. For Minority Report however, his entry was delayed due to his piece of work on Star Wars: Episode Two – Attack of the Clones, and he joined the film when it was nearly completed, leaving him scant production time. The soundtrack takes inspiration from Bernard Herrmann'due south work.[sixty] Williams decided not to focus on the science fiction elements, and made a score suitable for motion-picture show noir. He included traditional noir elements such as a female vocalist in the Anne Lively scenes, but the "sentimental scenes", which Williams considered unusual for that genre, led to soothing themes for Anderton's ex-married woman Lara and son Sean.[42] The track "Sean's Theme" is described as the only i "instantly recognizable equally one of Williams'" past music critic Andrew Granade.[61] Spielberg typified it as "a black and white score" and said, "I think Johnny Williams does a really nice bit of homage to Benny Herrmann."[62]

In an interview which appeared in The New York Times, Williams said that the choices for many of the pieces of classical music were made past the studio. He also said that while he did not know why certain pieces were chosen, Franz Schubert'due south Symphony No. eight (commonly known as the Unfinished Symphony), which features prominently in the film,[63] was most likely included because Anderton was a big fan of classical music in the script.[64] Some of the other choices, such as Gideon's playing of "Jesu, Joy of Man's Desiring" past Bach on an organ in the subterranean prison, were besides in the screenplay, and he figured that "They are some author's conception of what this character might accept listened to."[64] Williams did cull the minuet from a Haydn string quartet (Op. 64, No. i) which plays on the radio in the scene where Dr. Hineman is gardening in her greenhouse. He said he picked the slice considering "It seemed to me to be the kind of thing a woman like this would play on the radio."[64] James R. Oestreich in The New York Times characterized the score as "evocative" and said it was "thoroughly modern" while also beingness "interlaced with striking snippets of masterworks", including the "lopsided waltz" from the second movement of Tchaikovsky'southward Symphony No. vi, known every bit the Pathétique.[64]

In 2019, a two-disc limited "expanded edition" was released through La-la-land Records featuring the total score as heard in the film, forth with several alternate and unused tracks as bonus textile.

Style [edit]

Two men, one of whom is wearing futuristic armor and helmet. A distinctive blue tint colours the image.

Minority Report's unique visual manner: It was overlit, and the negatives were bleach-bypassed in post-product to desaturate the colors in the film.

Minority Report is a futuristic film which portrays elements of a both dystopian and utopian future.[65] The film renders a much more than detailed view of its future globe than the book and contains new technologies not in Dick'southward story.[66] From a stylistic standpoint, Minority Report resembles Spielberg's previous film A.I.,[46] but also incorporates elements of film noir. Spielberg said that he "wanted to requite the movie a noir feel. So I threw myself a film festival. Asphalt Jungle. Primal Largo. The Maltese Falcon."[13] The picture was deliberately overlit, and the negative was bleach-bypassed during post-product.[67] The scene in which Anderton is dreaming about his son's kidnapping at the pool is the only one shot in "normal" color. Bleach-bypassing gave the flick a distinctive look; it desaturated the film's colors, to the point that it nearly resembles a black-and-white film, yet the blacks and shadows have a loftier contrast like a motion-picture show noir picture.[67] [68] The colour was reduced by "about 40%" to achieve the "washed-out" appearance.[69] Elvis Mitchell, formerly of The New York Times, commented that "The moving picture looks every bit if it were shot on chrome, caught on the fleeing bumper of a late '70s car."[lxx]

Cinematographer Janusz Kamiński shot the motion-picture show with loftier-speed film in Super 35 format to increase the overall grain,[69] which Spielberg preferred to the then-emerging digital video format.[71] The film's photographic camera work is very mobile, alternate betwixt handheld and Steadicam shots, which are "exaggerated by the use of wide angle lenses and the occasional low photographic camera angle" to increase the perception of movement according to film scholar Warren Buckland.[69] Kamiński said that he never used a lens longer than 27mm, and alternated between 17, 21, and 27mm lenses, as Spielberg liked to "continue the actors as close to the camera as possible". He as well said, "We staged a lot of scenes in wide shots that have a lot of things happening with the frame."[69] The duo also used several long takes to focus on the emotions of the actors, rather than employing numerous cuts.[72] Spielberg eschewed the typical "shot reverse shot" cinematography technique used when filming characters' interactions in favor of the long takes, which were shot by a mobile, probing camera.[73] McDowell relied on colorless chrome and glass objects of curved and circular shapes in his fix designs, which, aided by the "depression-central contrastive lighting", populated the moving-picture show with shadows, creating a "futuristic film noir temper".[69]

Buckland describes the motion-picture show's 14 minute opening sequence every bit the "well-nigh abstract and complex of any Spielberg picture show."[17] The first scene is a distorted precog vision of a murder, presented out of context. The pace of the film is sped upwardly, slowed, and even reversed, and the movie "jumps about in fourth dimension and space" by intercutting the images in no discernible order.[74] When it ends, it becomes clear that the scene was presented through Agatha'south eyes, and that this is how previsions appear to her.[74] Fellow scholar Nigel Morris called this scene a "trailer", because it foreshadows the plot and establishes the type of "tone, generic expectations, and enigmas" that will be used in the film.[75] The visions of the pre-cogs are presented in a fragmented serial of clips using a "squishy lens" device, which distorts the images, blurring their edges and creating ripples across them.[76] They were created past a two-homo product team, hired past Spielberg, who chose the "layered, dreamlike imagery" based on some comments from cognitive psychologists the pair consulted.[77] In the opening's side by side scene, Anderton is "scrubbing the images", by standing like a composer (equally Spielberg terms information technology), and manipulating them, while Jad assists him. Next the family involved in the murder in Agatha's vision is shown interacting, which establishes that the opening scene was a prevision. The picture then cuts dorsum to Anderton and the precogs' images, before alternating between the three.[78] The opening is self-contained, and according to Buckland acts merely equally a setup for numerous elements of the story.[79] It lasts fourteen minutes, includes 171 shots, and has an average shot length of 5 seconds as opposed to the 6.five 2d average for the entire flick. The opening's five-2nd average is attained despite "very fast cutting" in the commencement and ending, because the middle has longer takes, which reach 20 seconds in some instances. Spielberg also continues his tradition of "heavily diffused backlighting" for much of the interior shots.[69]

Release [edit]

Spielberg typically keeps the plot points of his films closely guarded earlier their release, and Minority Report was no different.[80] He said he had to remove some scenes, and a few "F-words" to get the film'southward PG-13 rating.[13] Following the disappointing box office results of Spielberg's A.I., the marketing campaign for Minority Report downplayed his role in the flick and sold the picture equally a Cruise activity thriller.[81]

Tom Rothman, chairman of the film's co-financier Fox Filmed Entertainment, described the film'southward marketing strategy thus: "How are nosotros marketing it? Information technology's Cruise and Spielberg. What else practise we need to do?"[13] The strategy fabricated sense; coming into the movie, Spielberg had made twenty films which grossed a domestic full of $ii.8 billion, while Cruise'due south resume featured 23 films and $two billion in domestic revenues.[13] With their combined 30% take of the moving picture's box office though, sources such equally BusinessWeek'south Ron Grover predicted the studios would have a difficult time making the coin needed to break even.[21] Despite the outward optimism, equally a more developed-oriented, darker film than typical blockbusters, the studio held different box office expectations for the film than they would a more family friendly film. Amusement Weekly projected the moving-picture show would gross $40 million in the Usa in its opening weekend,[82] and Variety predicted that the loftier concept storyline would non appeal to children and would render it a "commercial extra-base hit rather than a home run."[xi]

Theatrical run [edit]

Minority Report's world premiere took place in New York City on June 19, 2002.[83] An online "popcorn cam" circulate live from inside the premiere.[84] Cruise attended the London premiere the following week, and mingled with thousands of adoring fans as he walked through the urban center's Leicester Square.[85] It debuted at first place in the U.S. box office, collecting $35.677 million in its opening weekend, ahead of Lilo & Stitch.[86] Forbes considered those numbers below expectations, as they gave the movie a small edge over Lilo & Sew, which debuted in 2nd place ($35.260 million). Lilo & Stitch sold more than tickets, but since much of the film'south attendees were children, its average ticket price was much lower.[87] The film opened at the summit of the box office in numerous foreign markets; it fabricated $6.7 million in 780 locations in Germany its opening weekend, and deemed for 35% of French republic's full box office weekend office gross when it collected $5 one thousand thousand in 700 theaters. In United kingdom, Minority Report made $36.9 million in its first 3 days, in Italy, $6.two one thousand thousand in its first ten, in Belgium, $815,000 in its 75 location opening weekend, and in Switzerland, $405,000 in an 80 theater opening weekend.[88] [89] The BBC felt the movie's UK functioning was "buoyed past Cruise'south amuse offensive at concluding week's London premiere."[90] Minority Written report fabricated a full of $132 million in the United States and $226.3 million overseas.[4]

Home media [edit]

DreamWorks spent several meg dollars marketing the film's DVD and VHS releases. The campaign included a tie-in video game released by Activision, which contained a trailer for the motion-picture show'south DVD.[91] Minority Study was successful in the home video marketplace, selling at least four million DVDs in its first few months of release.[92] The DVD took two years to produce. For the commencement time, Spielberg allowed filmmakers to shoot footage on the set of one of his films. Premiere-award-winning DVD producer Laurent Bouzereau, who would go a frequent Spielberg DVD collaborator, shot hundreds of hours of the pic's production in the then-new high-definition video format. Information technology independent over an hour of featurettes which discussed various aspects of film production, included breakdowns of the flick's stunt sequences, and new interviews with Spielberg, Cruise, and other "Academy Award-winning filmmakers".[91] [93] The moving-picture show was released on a ii-disc Blu-ray by Paramount Pictures (now the owner of the early DreamWorks library) on May 16, 2010. It included exclusive extras and interactive features, such as a new Spielberg interview, that were not included in the DVD edition. The motion picture was transferred from its "Hard disk main" which retained the distinctive grainy appearance.[94]

Video game [edit]

A video game based on the film titled Minority Report: Everybody Runs was developed by Treyarch, published by Activision and released on Nov 18, 2002, for Game Boy Advance, Nintendo GameCube, PlayStation 2 and Xbox. Information technology received mixed reviews.

Reception [edit]

On the review aggregator Rotten Tomatoes, Minority Report received xc% positive reviews based on 254 critics and an average rating of 8.twenty/10. The site's critical consensus is, "Thought-provoking and visceral, Steven Spielberg successfully combines high concept ideas and high octane activity in this fast and febrile sci-fi thriller."[95] The website listed it among the best reviewed films of 2002.[96] The film too earned an fourscore out of a possible 100 on the similar review aggregating website Metacritic based on 37 reviews, indicating "generally favorable reviews".[97] Audiences polled by CinemaScore gave the flick an average grade of "B+" on an A+ to F scale.[98]

Virtually critics gave the picture's handling of its central theme (free will vs. determinism) positive reviews,[95] and many ranked it as the film'south main force.[99] [100] Other reviewers felt that Spielberg did not fairly tackle the bug he raised.[54] [101] [102] The film has inspired discussion and analysis, the scope of which has been compared to the continuing analysis of Blade Runner.[103] This discussion has advanced past the realm of standard picture criticism. Slovenian philosopher Slavoj Žižek fashioned a criticism of the Cheney Doctrine by comparing its preemptive strike methodology to that of the moving-picture show's PreCrime system.[104]

Richard Corliss of Fourth dimension said information technology'due south "Spielberg's sharpest, brawniest, most bustling entertainment since Raiders of the Lost Ark".[105] Mike Clark of U.s.a. Today felt it succeeded due to a "breathless 140-minute pace with a no-flab script packed with all kinds of surprises."[106] Lisa Schwarzbaum of Entertainment Weekly praised the film'south visuals,[107] and Todd McCarthy of Variety complimented the cast's performances.[108] Film scholar Warren Buckland recommended the flick, only felt that the comedic elements—bated from Stormare's lines—detracted from the plot and undermined the flick'due south credibility.[109]

Several critics used their reviews to discuss Spielberg and analyze what the film signified in his development every bit a filmmaker. Andrew O'Hehir of the online magazine Salon expressed excitement over the atypically hard border of the picture. "Footling Steven Spielberg is all grown upwardly now ... into of all things a superior moving picture artist ... It's as well early to know whether Minority Written report, on the heels of A.I., marks a brief detour in Spielberg's career or a permanent change of course, but either style it'south a dark and dazzling spectacle."[110] J. Hoberman of The Village Vox said it is "the most entertaining, least pretentious genre movie Steven Spielberg has fabricated in the decade since Jurassic Park."[59] Randy Shulman of Metro Weekly said that "the movie is a huge bound forrad for the director, who moves one time and for all into the earth of adult motion-picture show making."[60] Roger Ebert chosen the film a "masterpiece" and said that when most directors of the menstruation were putting "their trust in engineering science", Spielberg had already mastered it, and was emphasizing "story and character" while merely using applied science as a "workman uses his tools".[100] Ebert somewhen named the flick the best film of the twelvemonth.[111] David Edelstein of Slate echoed the positive sentiments, proverb "It has been a long time since a Spielberg motion-picture show felt and so nimble, then unfettered, so free of self-cannibalizing."[112] Jonathan Rosenbaum, then of the Chicago Reader, was less convinced. Though he approved of the motion picture, he derided it in his review every bit a superficial activity movie, cautioning audiences to enjoy the pic but not "be conned into thinking that some sort of serious, thoughtful statement is existence delivered along with the roller-coaster ride."[110]

Andrew Sarris of the New York Observer gave the film a negative review in which he described the script as total of plot holes, the car chases equally silly, and criticized the mixture of futuristic environments with "defiantly retro costuming".[113] The complexity of the storyline was besides a source of criticism for Kenneth Turan of the Los Angeles Times, who considered the plot "too intricate and hard to follow".[114] Both Rosenbaum and Hoberman belittled the titular minority report every bit a "red herring".[115] [59] More positive reviews have seen it similarly, but referred to it as a "MacGuffin".[116]

Awards and honors [edit]

The pic earned nominations for many awards, including Best Audio Editing at the Academy Awards,[117] and Best Visual Effects at the BAFTAs.[118] It was nominated for eleven Saturn Awards including Best Actor for Cruise, All-time Supporting Actor for von Sydow and All-time Music for Williams, and won 4: Best Scientific discipline Fiction Film, Best Direction for Spielberg, Best Writing for Frank and Cohen and Supporting Actress for Morton.[119] It was nominated for 2 Visual Effects Society Awards in the categories of "Best Furnishings Fine art Direction in a Movement Motion-picture show" and "Best Compositing in a Motility Moving picture."[120] It likewise won the BMI Moving-picture show Music Honor,[121] the Online Picture show Critics Society Award for Best Supporting Actress,[122] and the Empire Awards for Best Actor for Cruise, Best Manager for Spielberg and Best British Extra for Morton.[123] Ebert listed Minority Study equally the best film of 2002,[124] as did online motion-picture show reviewer James Berardinelli.[125] The film was likewise included in summit ten lists by critic Richard Roeper,[124] and both reviewers at Usa Today.[126]

In 2008, the American Motion picture Plant nominated this motion picture for its Pinnacle x Science Fiction Films list.[127] Roger Ebert eventually chosen it one of his favorite films of the 2000s.[128] Likewise, The Washington Post picked Minority Written report as one of the 23 all-time films from 2000 to 2018.[129]

Television receiver series [edit]

On September ix, 2014, it was announced that a follow-upwards television series had been given a airplane pilot commitment at Fob.[130] Max Borenstein wrote the script and served equally executive producer alongside Spielberg, Justin Falvey and Darryl Frank. The serial was envisioned to be fix 10 years after the film, and focused on a male precog who teams upward with a female detective to notice a purpose to his gift.[130] On February 13, 2015, Daniel London and Li Jun Li joined the cast.[131] On February 24, 2015, Laura Regan was bandage as Agatha Lively, replacing Samantha Morton, who was said to accept been offered to reprise the role.[132] In March 2015, Stark Sands and Meagan Skilful landed the lead roles with Sands playing the role of Dash, one of the male precogs, and Good playing Lara Vega, a detective haunted by her past, who works with Dash to help him observe a purpose for his gift, Li Jun Li plays Akeela, a CSI technician, Daniel London reprised his role as Wally the Flagman from the original motion-picture show and Wilmer Valderrama was cast every bit a police detective.[133] [134] The testify was picked up to serial by Flim-flam on May 9, 2015, and made its broadcast debut on September 21, 2015, but was cancelled on May xiii, 2016.[135]

Run across too [edit]

  • Causal loop
  • Inchoate criminal offense
  • List of films featuring surveillance

References [edit]

  1. ^ a b c d "Minority Study (2002)". AFI Catalog of Feature Films . Retrieved Baronial 12, 2018.
  2. ^ a b c d e f Hindes, Andrew; Petrikin, Chris (December 11, 1998). "D'Works, Flim-flam do Spielberg-Prowl 'Report'". Variety . Retrieved March 24, 2007.
  3. ^ "Minority Report". British Board of Film Nomenclature. Retrieved January thirty, 2015.
  4. ^ a b c "Minority Report (2002)". Box Part Mojo . Retrieved December 8, 2010.
  5. ^ "Minority Report (2002) - Steven Spielberg | Synopsis, Characteristics, Moods, Themes and Related". AllMovie . Retrieved March 29, 2020.
  6. ^ Buckland. pp. 193–v.
  7. ^ a b Artillery, Gary, & Riley, Thomas. essay in Kowalski. p. 13
  8. ^ a b c Axmaker, Sean (June 26, 2002). "Philip Thousand. Dick'due south night dreams still forage for films". Seattle Post-Intelligencer . Retrieved Dec 10, 2010.
  9. ^ Koornick, Jason (July 2009). "Gary Goldman interview". philipkdickfans.com. Archived from the original on January 2, 2011. Retrieved Dec 10, 2010.
  10. ^ a b c Buckland. pp. 210–i
  11. ^ a b c Todd, McCarthy (June 16, 2002). "Review: Minority Written report". Diverseness . Retrieved December 9, 2010.
  12. ^ a b c Buckland. p. 197
  13. ^ a b c d e f Svetkey, Benjamin (June 14, 2002). "Tom Cruise Reboots". Amusement Weekly. Archived from the original on September fourteen, 2014. Retrieved Dec 13, 2010.
  14. ^ a b Ebert, Roger (June 16, 2002). "Spielberg & Cruise & the movies". rogerebert.com. Retrieved Dec 10, 2010.
  15. ^ Jackson. p. 79
  16. ^ Arms, Gary, & Riley, Thomas. essay in Kowalski. p. x
  17. ^ a b c Buckland. p. 198
  18. ^ Arnold, William (June 7, 2002). "Spielberg and Cruise dream team might make 'Minority Report' a winner". Seattle Post-Intelligencer . Retrieved Dec 10, 2010.
  19. ^ Hiscock, John (October half-dozen, 2002). "Spielberg: why I went dorsum to college". The Daily Telegraph. London. Archived from the original on January eleven, 2022. Retrieved March nine, 2009.
  20. ^ a b c d Tulich, Katherine (June 22, 2002). "Spielberg'southward futurity imperfect". The New Zealand Herald . Retrieved Dec 13, 2010.
  21. ^ a b Glover, Ron (June 14, 2002). "Box-Function Boom, Profit Gloom". Retrieved December 12, 2010.
  22. ^ "Conversation with Scott Frank". Screenwriters Utopia. December vi, 2001. Archived from the original on March 24, 2006. Retrieved March 26, 2006.
  23. ^ Cieply, Michael (July 29, 2002). "Media; Triumph of the Producing Course". The New York Times . Retrieved April 10, 2009.
  24. ^ Allan Smith, Christopher (June 10, 2002). "Darabont on Indy iv scripting, Minority Report flap". Cinescape. Archived from the original on June 21, 2008. Retrieved March nine, 2009.
  25. ^ "Spielberg to wrap Kubrick project". BBC. March fifteen, 2000. Retrieved March 24, 2007.
  26. ^ a b c d "Greg'due south Preview: Minority Study (2002)". Yahoo! Movies. Archived from the original on January 11, 2007. Retrieved February xiii, 2009.
  27. ^ Davis, Edward (September 26, 2012). "Denzel Washington Turned Down Vii & Michael Clayton, Javier Bardem Passed On Minority Report". IndieWire . Retrieved May 13, 2017.
  28. ^ Lisa Kennedy (June 2002). "Spielberg in the Twilight Zone". Wired.
  29. ^ a b Garreau, Joel (June 21, 2002). "Washington Equally Seen in Hollywood's Crystal Ball". The Washington Post . Retrieved February 21, 2007.
  30. ^ a b c d Ian Rothkerch. "Will the future actually await like 'Minority Study'?". Salon. Archived from the original on May 14, 2011.
  31. ^ Kennedy, Lisa (June 2002). "Spielberg in the Twilight Zone". Wired. Vol. 10, no. 6. Retrieved February 12, 2007.
  32. ^ Clarke, Darren J. (June 17, 2002). "MIT grad directs Spielberg in the science of moviemaking". mit.edu. Retrieved Feb 12, 2007.
  33. ^ a b c Kabat, Jennifer (September 11, 2006). "Behind the Scenes". Metropolis. Archived from the original on May 17, 2012. Retrieved December 12, 2010.
  34. ^ Printing, TINA MCCLOUD and JUDITH HAYNES Daily. "GLOUCESTER GOES TO THE MOVIE AND SHARING TIPS WITH PROFESSIONALS". dailypress.com . Retrieved February nine, 2021.
  35. ^ a b "Minority Report pic locations". movie-locations.com. Archived from the original on September 5, 2015. Retrieved December 10, 2010.
  36. ^ Minority Report (Blu-Ray).
  37. ^ Press, TINA MCCLOUD and JUDITH HAYNES Daily. "GLOUCESTER GOES TO THE MOVIE AND SHARING TIPS WITH PROFESSIONALS". dailypress.com . Retrieved Feb 9, 2021.
  38. ^ "Spielberg visits the Minority Report Bagel Cam". YouTube. Archived from the original on November 16, 2021. Retrieved April 16, 2015.
  39. ^ "Ready Showdown: Cruise, Spielberg vs. Howard, Crowe". YouTube. Archived from the original on November xvi, 2021. Retrieved April xvi, 2015.
  40. ^ "The log cabin mystery at the terminate of Minority Report | Blog". February 22, 2015.
  41. ^ Dromm, Keith. essay in Kowalski. pp. 192, 199, 208
  42. ^ a b "Deconstructing Minority Study", Minority Report Special Edition DVD, Disc ii
  43. ^ "The Stunts of Minority Report", Minority Study Special Edition DVD, Disc 2
  44. ^ "ILM VFX Supervisor Scott Farrar Details Minority Report". Creative Planet Network. February xiv, 2012. Retrieved March 6, 2019.
  45. ^ "IL&Yard and Minority Report", Minority Report Special Edition DVD, Disc 2
  46. ^ a b "Minority Report". thedailypage.com. May 31, 2002. Retrieved May 21, 2007.
  47. ^ Artillery, Gary, & Riley, Thomas. essay in Kowalski. p. 12
  48. ^ Artillery, Gary, & Riley, Thomas. essay in Kowalski. pp. 10–11
  49. ^ Arms, Gary, & Riley, Thomas. essay in Kowalski. pp. 11–2
  50. ^ Artillery, Gary, & Riley, Thomas. essay in Kowalski. p. 11
  51. ^ Mulhall. p. 163
  52. ^ Kowalski. p. 227
  53. ^ "Time to come shock: Steven Spielberg's Minority Report is in. Find out how it will make you lot a better person. – movie review". Film Comment. July–August 2002. Archived from the original on July 31, 2004. Retrieved May 21, 2007.
  54. ^ a b Wolski, C.A. (June 21, 2002). "Trivial Reports". Box Role Mojo . Retrieved March 25, 2007.
  55. ^ Higgins. p. 56
  56. ^ Powers, John (June 27, 2002). "Majority Report". LA Weekly . Retrieved March 5, 2009.
  57. ^ Hall, Martin (2004). "Time and the Fragmented Subject in Minority Report". Rhizomes (8). Retrieved Dec 12, 2010.
  58. ^ Arms, Gary & Riley, Thomas. essay in Kowalski. pp. 17, 33; Vest. p. 136
  59. ^ a b c Hoberman, J. (June 25, 2002). "Private Optics". The Village Voice . Retrieved Dec 9, 2010.
  60. ^ a b Randy, Shulman (June 27, 2002). "Minority Rules". Metro Weekly. Archived from the original on February 3, 2010. Retrieved December 18, 2010.
  61. ^ Granade, Andrew. "Minority Report". soundtrack.cyberspace. Retrieved December 9, 2010.
  62. ^ Appelo, Fourth dimension (June 16, 2002). "Keepers of the flame". San Francisco Chronicle . Retrieved December 12, 2010.
  63. ^ "Minority Report soundtrack review". Filmtracks.net. Retrieved March 24, 2007.
  64. ^ a b c d Oestreich, James R. (June 30, 2002). "Schubertizing the Movies". The New York Times . Retrieved Dec 13, 2010.
  65. ^ Zipp, Yvonne (June 21, 2002). "What happened to live long & prosper?". The Christian Science Monitor . Retrieved December 17, 2010.
  66. ^ "Minority Study: From Story to Screen"; Minority Report Special Edition DVD, Disc ii
  67. ^ a b Jocobson, Colen (December xi, 2002). "Minority Study review". dvdmg.com. Retrieved March 12, 2007.
  68. ^ Belong. p. 128
  69. ^ a b c d e f Buckland. p. 201
  70. ^ Mitchell, Elvis (June 21, 2002). "Halting Crime In Advance Has Its Perils". The New York Times . Retrieved March 12, 2007.
  71. ^ Joe, Williams (June 21, 2002). "The Digital Debate". St. Louis Post-Dispatch. p. E1.
  72. ^ Buckland. pp. 201–2
  73. ^ Buckland. p. 202
  74. ^ a b Buckland. pp. 198–9
  75. ^ Morris. p. 317
  76. ^ Cornea. p. 261
  77. ^ Kowalski. p. 243
  78. ^ Buckland. pp. 198–200
  79. ^ Buckland. pp. 200–01
  80. ^ Gates, Anita (May 12, 2002). "Sequels? Sure. But Godard, Too". The New York Times . Retrieved December xiii, 2010.
  81. ^ Morris. p. 316
  82. ^ Karger, Dave (June 24, 2002). "Tom Tom Guild". Entertainment Weekly. Archived from the original on September 14, 2014. Retrieved Dec 13, 2010.
  83. ^ Zuckerman, Suzanne (June 19, 2002). ""Minority Report" premiere". CNN. Archived from the original on March 29, 2008. Retrieved December 9, 2010.
  84. ^ "Customer story: Minority Written report". Centrality Communications. Archived from the original on April 16, 2015. Retrieved April 16, 2015.
  85. ^ "Smiling Cruise lights upwardly première". BBC. June 26, 2002. Retrieved December 9, 2010.
  86. ^ "Weekend Box Part, June 21–23, 2002". Box Office Mojo . Retrieved March 24, 2007.
  87. ^ Ackland, Dan (June 24, 2002). "A Minority Reports To Minority Report". Forbes . Retrieved December 10, 2010.
  88. ^ McNary, Dave (October 6, 2002). "'Minority' reports big opening in Deutschland". Diverseness . Retrieved December 9, 2010.
  89. ^ "Minority Written report squeezes past Disney". BBC. June 24, 2002. Retrieved Dec 9, 2010.
  90. ^ "Nicole misses at box office". BBC. July 2, 2002. Retrieved December 9, 2010.
  91. ^ a b Hettrick, Scott (September 17, 2002). "'Minority Report' DVD two years in making". Variety . Retrieved December 9, 2010.
  92. ^ "Home Video (DVD & VHS) Out Sells Feature Films, Video Games and Movies in 2002". audiorevolution.com. Archived from the original on March 21, 2006. Retrieved Feb 17, 2007.
  93. ^ Lynn, Barker (December 23, 2002). "DVD Review: Minority Report". teenhollywood.com. Retrieved December nine, 2010.
  94. ^ Kelley, Billy (April 22, 2010). "New Blu-rays: Sci-fi rules Earth 24-hour interval with 'Avatar' and 'Minority Report'". The Virginian-Pilot. Archived from the original on March 4, 2016. Retrieved December 12, 2010.
  95. ^ a b "Minority Report (2002)". Rotten Tomatoes. Fandango. Retrieved March 30, 2021.
  96. ^ "Best of 2002". rottentomatoes.com. Retrieved June 18, 2012.
  97. ^ "Minority Report entry". Metacritic . Retrieved March 14, 2007.
  98. ^ "Dwelling house". CinemaScore . Retrieved February 28, 2022.
  99. ^ Berardinelli, James. "Minority Written report". reelviews.net. Retrieved March 25, 2007.
  100. ^ a b Ebert, Roger (June 21, 2002). "Minority Written report review". Chicago Sun-Times . Retrieved December 16, 2010.
  101. ^ Travers, Peter (June eighteen, 2002). "Minority Report review". Rolling Stone. Archived from the original on May 22, 2008. Retrieved March 12, 2007.
  102. ^ Higgins. p. 57
  103. ^ Vest. pp. 117–viii
  104. ^ Cooper, Marking Garrett (Dec 22, 2003). "The contradictions of Minority Report". Film Criticism. XXVIII, 2. Retrieved December 11, 2010.
  105. ^ Corliss, Richard (June 23, 2002). "No bogus intelligence; just smart fun". Fourth dimension. Archived from the original on Dec 7, 2004. Retrieved March v, 2009.
  106. ^ Clark, Mike (June 23, 2002). "The verdict is in: 'Minority' rules". United states Today . Retrieved March 9, 2009.
  107. ^ Schwarzbaum, Lisa (June 28, 2002). "Movie Review: Minority Written report (2002)". Amusement Weekly . Retrieved March five, 2009.
  108. ^ McCarthy, Todd (June xvi, 2002). "Minority Study". Variety . Retrieved March 9, 2009.
  109. ^ Buckland. p. 210
  110. ^ a b O'Hehir, Andrew (June 21, 2002). "Meet Steven Spielberg, hardboiled cynic". Salon. Archived from the original on November 18, 2010. Retrieved December 9, 2010.
  111. ^ "Roger Ebert'due south Top Ten Lists, 1967-2006". Eric C. Johnson'due south archive. California Institute of Technology. Archived from the original on December 31, 2007. Retrieved January 2, 2017.
  112. ^ Edelstein, David (June 21, 2002). "Arraign Runner". Slate . Retrieved December x, 2010.
  113. ^ Sarris, Andrew (July xiv, 2002). "Minority Report Sinks Too Low". New York Observer. Archived from the original on June 28, 2007. Retrieved March 9, 2009.
  114. ^ Turan, Kenneth (June 21, 2002). "A Walk in the Night". Los Angeles Times.
  115. ^ Rosenbaum, Jonathan (June 28, 2002). "Flash and Grid". jonathanrosenbaum.com. Archived from the original on July 23, 2011. Retrieved Dec 9, 2010.
  116. ^ Westfahl, Gary (June 24, 2002). "Something Old, Something New, Something Borrowed, Something Blue: A Review of Minority Study". locusmag.cm. Retrieved December 9, 2010.
  117. ^ "Nominees & Winners for the 75th University Awards". AMPAS. Archived from the original on November 1, 2010. Retrieved December 13, 2010.
  118. ^ "Film Nominations 2002". BAFTA. Archived from the original on September 21, 2010. Retrieved December 13, 2010.
  119. ^ "Past Saturn Awards". Academy of Scientific discipline Fiction, Fantasy & Horror Films. Archived from the original on December 19, 2008. Retrieved December 13, 2010.
  120. ^ "1st Annual VES Awards". visual furnishings society . Retrieved December xx, 2017.
  121. ^ "BMI Honors Its Top Film, Television receiver Composers And Songwriters At Annual Motion-picture show & Idiot box Awards". BMI. May 14, 2002. Retrieved December 13, 2010.
  122. ^ "ONLINE Motion picture CRITICS SOCIETY AWARDS FOR 2002". Online Film Critics Society. Archived from the original on February half-dozen, 2003. Retrieved December 13, 2010.
  123. ^ "The Eighth Annual Empire Awards". Empire . Retrieved December 13, 2010.
  124. ^ a b "Roger Ebert and Richard Roeper Announce Their Acme Ten Movies of the Year". Business Wire. December thirty, 2002. Archived from the original on Dec 31, 2007. Retrieved March 5, 2009.
  125. ^ Berardinelli, James (December 31, 2002). "Rewinding 2002 – The Yr in Motion-picture show". Reelviews.internet. Retrieved March 5, 2009.
  126. ^ "2002 Film Critic Meridian Ten Lists". Metacritic. Archived from the original on Baronial 4, 2008. Retrieved March 5, 2009.
  127. ^ "AFI's 10 Top 10 Nominees" (PDF). Archived from the original on July 16, 2011. Retrieved August 19, 2016. {{cite web}}: CS1 maint: bot: original URL status unknown (link)
  128. ^ Ebert, Roger. "The best films of the decade | Roger Ebert | Roger Ebert". rogerebert.com/ . Retrieved November 18, 2020.
  129. ^ "From 'Children of Men' to 'Spirited Away,' here are the 23 best movies of the 2000s". Washington Post . Retrieved Nov 18, 2020.
  130. ^ a b Andreeva, Nellie (September nine, 2014). "Fox Nabs Minority Report Series From Steven Spielberg's Amblin Idiot box With Large Put Pilot Commitment". Deadline . Retrieved September 9, 2014.
  131. ^ Andreeva, Nellie (Feb thirteen, 2015). "Daniel London & Li Jun Li Bandage In Minority Study Play a joke on Pilot". Deadline.
  132. ^ Andreeva, Nellie (February 25, 2015). "Laura Regan Cast Every bit Agatha In Minority Study Fox Pilot". Deadline.
  133. ^ Goldberg, Lesley (February 26, 2015). "Stark Sands to Topline in Trick's 'Minority Report'". The Hollywood Reporter.
  134. ^ "Wilmer Valderrama Joins Fox Drama Pilot Minority Written report". Archived from the original on Baronial 10, 2019. Retrieved December 9, 2017.
  135. ^ Hurley, Laura (May xiii, 2016). "Minority Study Cancelled, No Season 2 At Play a trick on". Cinema Blend. Retrieved March 2, 2018.

Bibliography [edit]

  • Buckland, Warren (2006). Directed by Steven Spielberg: Poetics of the Gimmicky Hollywood Blockbuster. Continuum. ISBN0-8264-1691-eight.
  • Conrad, Mark T. (2007). The Philosophy of Neo-Noir . The Academy Press of Kentucky. ISBN978-0-8131-2422-3.
  • Cornea, Christine (2007). Science Fiction Picture palace: Between Fantasy and Reality. Rutgers University Printing. ISBN978-0-8135-4173-0.
  • Higgins, Gareth (2003). How movies helped save my soul. Relevant Books. ISBN0-9714576-9-seven.
  • Huemer, Michael (2009). Susan Schneider (ed.). Science fiction and philosophy: from time travel to superintelligence. John Wiley and Sons. ISBN978-1-4051-4907-v.
  • Jackson, Kathi (2007). Steven Spielberg: A Biography. Greenwood. ISBN978-0-313-33796-3.
  • Dean A. Kowalski, ed. (2008). Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book. The Academy Press of Kentucky. ISBN978-0-8131-2527-v.
  • Morris, Nigel (2006). The Cinema of Steven Spielberg: Empire of Low-cal. Wallflower Press. ISBN1-904764-89-iv.
  • Mulhall, Stephen (2008). On Film. Thinking in Action. Routledge. ISBN978-0-415-44153-7.
  • Belong, Jason P. (2007). Futurity Imperfect: Philip K. Dick at the Movies. Praeger. ISBN978-0-275-99171-v.

External links [edit]

butlerrilliall.blogspot.com

Source: https://en.wikipedia.org/wiki/Minority_Report_(film)

0 Response to "You Are Reviewing Dr Caseys Instructions and See the Abbreviation D/c What Does D/c Mean?"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel